Origin and development of Hindi journalism
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Er Prabhat Kishore
“Udant Martand” was the first Hindi newspaper. The journey of Hindi newspapers in India began with this weekly paper published from Kolkata on 30th May 1826. Published under the editorship of Shri Yugal Kishore Shukla, “Udant Martand” was the luminary in the form of news, which illuminated and guided the path of Hindi journalism. The notable verse printed on this paper was :-
Dinkar Kar Pragatat Dinhin Yah Prakash Ath Yam
Aiso Ravi Aab Ugaun Mahi, Jehi Sukh Ko Dham.
Aant Kamalani Vigsit Karat Badhat Chav Chit Vaam
Let Nam Ya Patra Ko Hot Harsh Aru Kam.
The ‘Bangdoot’ weekly was brought out from Kolkata itself on 10 May 1829. Published in collaboration with Raja Ram Mohan Roy and under the editorship of Nilratna Haldhar, this paper was originally in Bangla, which was also printed in Hindi as required. The verses quoted above the Hindi part of ‘Bangdoot’ were –
Bhutal Ki Yah Rit Bahut Thode Mein Bhakhe
Logani Le Bahu Lag Hoye Yahi Te Lakhe
Bangala Ki Doot-Poot Yahi Vayu Ko Jano
Hoye Vidit Sab Desh Klesh Ko Lesh Na Mano.
The life journey of ‘Bangdoot’ ended on July 30, 1829, after the release of only twelve issues. The weekly “Banaras Akhbar” was the first newspaper to come out of the Hindi region. In 1845, the paper came out from Kashi under the editorship of Shri Govind Raghunath Tathate. In 1846, “Indian Sun” was published from Kolkata in five languages like “Bengal Herald” and “Bangdoot”. It had ten pages and each page had five columns. The name of its Hindi edition was “Martand”.
“Sudhavarshan” was the first Hindi daily, which came out in the year 1854 from Bada Bazar in Kolkata. Originally it was a bilingual paper, with the first two pages in Hindi and the remaining two pages in Bengali. Its editor was Shyam Sundar Sen. The “Pyame Azadi” was taken out from Delhi in 1857 by Shri Ajimullah Khan, the leader of the freedom movement. Earlier it used to come out in Urdu, but soon it started coming in Hindi also. The idea was to bring out its edition from Jhansi as well. The first famous Indian National anthem of 1857 was published in this paper, the opening lines of which were-
Ham Hain Esake Malik Hindustan Hamara
Baat Vatan Hai Kaum Ka Jannat Se Bhi Pyara.
Mirza Bedar Bakht, the editor of “Pyame Azadi”, was hanged by the British rulers. Simultaneously, an injunction was issued by Mr Henry Cotton that whoever found the copies of “Pyame Azadi” would be liable to the death penalty. This is probably the first incident in the history of newspapers when the entire family of the readers of a newspaper has been sentenced.
In 1859, “Dharmaprakash” from Ahmedabad and in 1863 “Mrit Lokhit” from Ara by missionaries was published. The publication of”Marwad Gazette” started in 1866. In 1867, a bilingual paper “Vidya Vilas” in Hindi and Urdu came out from Jammu and Kashmir. The period of 1826-67 is the period of emergence and development of Hindi journalism in India. The newspapers and magazines, that came out during this period, worked to make way for Indian journalism. Later, with the debut of Bharatendu Harishchandra in the world of journalism, journalism got a new dimension, a new form and a new direction and in the true sense, the foundation of a new era was laid.
Bharatendu Era
The development journey of the era of Hindi journalism had started with “Udant Martand”, which continued through daily, weekly and monthly medium till the Bharatendu era. The Bhartendu era (1867-1885) is considered to be the second era in the history of Hindi journalism, starting from the year 1867. In the same year Bharatendu Harishchandra started the publication of a monthly magazine named “Kavi Vachan Sudha”. This magazine was considered by the French writer Tasi as a ‘Distinguished Newspaper’. The Bharatendu era was poetry-oriented and the price of “Kavi Vachan Sudha”, etc. was also printed in verse.
Sat Mudra Pahale Diye Vaarsh Bitaye Saat
Sath Chandrika Ke Liye, Dasaven Dou Mil Jaat.
Bharatendu Harish-chandra, the pioneer of Hindi journalism, was born on 9th September 1850 and went to heaven on 6th January 1885 at the age of 35. He took up literary creation as a mission and started monthly “Kavi Vachan Sudha” from Kashi in 1867. After publishing some issues, it was made fortnightly. In 1873 itself, Bharatenduji started publishing the monthly magazine “Harishchandra Magazine” and worked to popularise modern Hindi. Vyasji considered him an immortal gift of Hindi journalism.
In 1874, this magazine became “Harishchandra Chandrika” and was published for eight years. This was the third magazine to come out of Kashi. In 1884, he started the publication of his new “Harishchandra Chandrika” and continued it till the last moment of his life. He also brought out a Vaishnavism-oriented magazine called “Bhagvat Toshini”, which lasted for a year.
Another example of Bharatendu era being poetic is the ‘Brahmin’ paper. Its editor Pratap Narayan Mishra, tired of asking for the donation of the paper, sometimes had to plead through the verse–Aath Maas Bite Jajman. Aab To Karo Dakshina Daan.
The motto of “Kavi Vachan Sudha” was- Nitya-Nitya Nav Yah, Kavi Vachan Sudha Sakal Ras Khani. Piahun Rasik Aanand Bhari, Param Raag Jiya Jaani. Sudha Sada Surpur Basay Se Nay Tumhare Jog. Taso Aadar Dehu Aaru Piahun Yahi Budh Log.
When “Kavi Vachan Sudha” was a monthly paper, then the works of ancient poets edited by Bharatenduji were published in it. When it became a fortnightly, political and social essays started getting published. According to the Uttar Pradesh Gazette, a total of 250 copies were printed, out of which 100 copies was taken by the British Government and 150 copies were consumed by the public. This was the time when only two or four copies of some papers could reach the public.
The area of “Harishchandra Chandrika” was very vast. Literature, science, religious articles, archaeology, book reviews, drama, novels, history, poetry, gossip, humor and satirical were published in the newspaper. So many subjects could not have been conceived then. Bharatenduji believed that for the progress of the country, not only the indigenous thing, but also its own language is essential. He hated the teaching of slavery. His motto was –Nij Bhasha Unnati Yahe Sab Unnati Ki Mool. Bin Nij Bhasha Gyan Ke Mitay Nahiy Ko Sool.
Every writer or poet of the Bharatendu era was the editor of some paper. These papers gave strength to the reformist movement and gave impetus to the art of essay. But in spite of all this, no paper could last long due to lack of education and interest. During Harishchandra’s lifetime, 25 magazines came out, in which three papers “Bharat Mitra” (Fortnightly, 1872), “Sar Sudha Nidhi” (Weekly, 1887) and “Uchit Vakta” (Weekly, 1880) were published from Kolkata. Its motivator and director was Durga Prasad Mishra.
The story of weekly “Matwala” published from Kolkata is interesting. The verse printed on its front page explains the spirit and objectives of the newspaper. Amiya Garar Rashi Sikar, Rivkar Ram Viram Bhara Pyala. Pite Hain Jo Sadhak,Unka Pyara Hai Yah Matwala.
Dr. Ram Vilas Sharma has written in relation to the Bharatendu era that despite not having a tradition of Newspaper-literature, the progress he made in a short time was the passion of the writers. Despite the harsh conditions, he proved himself to be tenacious. If the writers of that era had not shown this zeal and arrogance, they would surely have been crushed under the prevailing circumstances. Bharatenduji’s journalism was non-partisan, fearless and in favour of justice. His journalism was discussed and praised everywhere not only in the country but also abroad. Undoubtedly, he was a prolific journalist.
(Author is a technocrat & educationist.)
“Udant Martand” was the first Hindi newspaper. The journey of Hindi newspapers in India began with this weekly paper published from Kolkata on 30th May 1826. Published under the editorship of Shri Yugal Kishore Shukla, “Udant Martand” was the luminary in the form of news, which illuminated and guided the path of Hindi journalism. The notable verse printed on this paper was :-
Dinkar Kar Pragatat Dinhin Yah Prakash Ath Yam
Aiso Ravi Aab Ugaun Mahi, Jehi Sukh Ko Dham.
Aant Kamalani Vigsit Karat Badhat Chav Chit Vaam
Let Nam Ya Patra Ko Hot Harsh Aru Kam.
The ‘Bangdoot’ weekly was brought out from Kolkata itself on 10 May 1829. Published in collaboration with Raja Ram Mohan Roy and under the editorship of Nilratna Haldhar, this paper was originally in Bangla, which was also printed in Hindi as required. The verses quoted above the Hindi part of ‘Bangdoot’ were –
Bhutal Ki Yah Rit Bahut Thode Mein Bhakhe
Logani Le Bahu Lag Hoye Yahi Te Lakhe
Bangala Ki Doot-Poot Yahi Vayu Ko Jano
Hoye Vidit Sab Desh Klesh Ko Lesh Na Mano.
The life journey of ‘Bangdoot’ ended on July 30, 1829, after the release of only twelve issues. The weekly “Banaras Akhbar” was the first newspaper to come out of the Hindi region. In 1845, the paper came out from Kashi under the editorship of Shri Govind Raghunath Tathate. In 1846, “Indian Sun” was published from Kolkata in five languages like “Bengal Herald” and “Bangdoot”. It had ten pages and each page had five columns. The name of its Hindi edition was “Martand”.
“Sudhavarshan” was the first Hindi daily, which came out in the year 1854 from Bada Bazar in Kolkata. Originally it was a bilingual paper, with the first two pages in Hindi and the remaining two pages in Bengali. Its editor was Shyam Sundar Sen. The “Pyame Azadi” was taken out from Delhi in 1857 by Shri Ajimullah Khan, the leader of the freedom movement. Earlier it used to come out in Urdu, but soon it started coming in Hindi also. The idea was to bring out its edition from Jhansi as well. The first famous Indian National anthem of 1857 was published in this paper, the opening lines of which were-
Ham Hain Esake Malik Hindustan Hamara
Baat Vatan Hai Kaum Ka Jannat Se Bhi Pyara.
Mirza Bedar Bakht, the editor of “Pyame Azadi”, was hanged by the British rulers. Simultaneously, an injunction was issued by Mr Henry Cotton that whoever found the copies of “Pyame Azadi” would be liable to the death penalty. This is probably the first incident in the history of newspapers when the entire family of the readers of a newspaper has been sentenced.
In 1859, “Dharmaprakash” from Ahmedabad and in 1863 “Mrit Lokhit” from Ara by missionaries was published. The publication of”Marwad Gazette” started in 1866. In 1867, a bilingual paper “Vidya Vilas” in Hindi and Urdu came out from Jammu and Kashmir. The period of 1826-67 is the period of emergence and development of Hindi journalism in India. The newspapers and magazines, that came out during this period, worked to make way for Indian journalism. Later, with the debut of Bharatendu Harishchandra in the world of journalism, journalism got a new dimension, a new form and a new direction and in the true sense, the foundation of a new era was laid.
Bharatendu Era
The development journey of the era of Hindi journalism had started with “Udant Martand”, which continued through daily, weekly and monthly medium till the Bharatendu era. The Bhartendu era (1867-1885) is considered to be the second era in the history of Hindi journalism, starting from the year 1867. In the same year Bharatendu Harishchandra started the publication of a monthly magazine named “Kavi Vachan Sudha”. This magazine was considered by the French writer Tasi as a ‘Distinguished Newspaper’. The Bharatendu era was poetry-oriented and the price of “Kavi Vachan Sudha”, etc. was also printed in verse.
Sat Mudra Pahale Diye Vaarsh Bitaye Saat
Sath Chandrika Ke Liye, Dasaven Dou Mil Jaat.
Bharatendu Harish-chandra, the pioneer of Hindi journalism, was born on 9th September 1850 and went to heaven on 6th January 1885 at the age of 35. He took up literary creation as a mission and started monthly “Kavi Vachan Sudha” from Kashi in 1867. After publishing some issues, it was made fortnightly. In 1873 itself, Bharatenduji started publishing the monthly magazine “Harishchandra Magazine” and worked to popularise modern Hindi. Vyasji considered him an immortal gift of Hindi journalism.
In 1874, this magazine became “Harishchandra Chandrika” and was published for eight years. This was the third magazine to come out of Kashi. In 1884, he started the publication of his new “Harishchandra Chandrika” and continued it till the last moment of his life. He also brought out a Vaishnavism-oriented magazine called “Bhagvat Toshini”, which lasted for a year.
Another example of Bharatendu era being poetic is the ‘Brahmin’ paper. Its editor Pratap Narayan Mishra, tired of asking for the donation of the paper, sometimes had to plead through the verse–Aath Maas Bite Jajman. Aab To Karo Dakshina Daan.
The motto of “Kavi Vachan Sudha” was- Nitya-Nitya Nav Yah, Kavi Vachan Sudha Sakal Ras Khani. Piahun Rasik Aanand Bhari, Param Raag Jiya Jaani. Sudha Sada Surpur Basay Se Nay Tumhare Jog. Taso Aadar Dehu Aaru Piahun Yahi Budh Log.
When “Kavi Vachan Sudha” was a monthly paper, then the works of ancient poets edited by Bharatenduji were published in it. When it became a fortnightly, political and social essays started getting published. According to the Uttar Pradesh Gazette, a total of 250 copies were printed, out of which 100 copies was taken by the British Government and 150 copies were consumed by the public. This was the time when only two or four copies of some papers could reach the public.
The area of “Harishchandra Chandrika” was very vast. Literature, science, religious articles, archaeology, book reviews, drama, novels, history, poetry, gossip, humor and satirical were published in the newspaper. So many subjects could not have been conceived then. Bharatenduji believed that for the progress of the country, not only the indigenous thing, but also its own language is essential. He hated the teaching of slavery. His motto was –Nij Bhasha Unnati Yahe Sab Unnati Ki Mool. Bin Nij Bhasha Gyan Ke Mitay Nahiy Ko Sool.
Every writer or poet of the Bharatendu era was the editor of some paper. These papers gave strength to the reformist movement and gave impetus to the art of essay. But in spite of all this, no paper could last long due to lack of education and interest. During Harishchandra’s lifetime, 25 magazines came out, in which three papers “Bharat Mitra” (Fortnightly, 1872), “Sar Sudha Nidhi” (Weekly, 1887) and “Uchit Vakta” (Weekly, 1880) were published from Kolkata. Its motivator and director was Durga Prasad Mishra.
The story of weekly “Matwala” published from Kolkata is interesting. The verse printed on its front page explains the spirit and objectives of the newspaper. Amiya Garar Rashi Sikar, Rivkar Ram Viram Bhara Pyala. Pite Hain Jo Sadhak,Unka Pyara Hai Yah Matwala.
Dr. Ram Vilas Sharma has written in relation to the Bharatendu era that despite not having a tradition of Newspaper-literature, the progress he made in a short time was the passion of the writers. Despite the harsh conditions, he proved himself to be tenacious. If the writers of that era had not shown this zeal and arrogance, they would surely have been crushed under the prevailing circumstances. Bharatenduji’s journalism was non-partisan, fearless and in favour of justice. His journalism was discussed and praised everywhere not only in the country but also abroad. Undoubtedly, he was a prolific journalist.
(Author is a technocrat & educationist.)